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| 008 | 161202s2017 nyua b 100 0 eng | ||
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_a3319516604 _q(alk. paper) |
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_a9783319516608 _q(alk. paper) |
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_aNLM _cNLM _dEBLCP _dGW5XE _dN$T _dYDX _dNJR _dCCO _dOCLCF _dCOO _dAZU _dUPM _dVT2 _dOCLCO _dOCLCQ _dOCLCO _dMERER _dOCLCQ _dNLM _dOCLCO _dOCLCQ _dOCLCA _dES-MaUEC _bspa |
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_aBF252 _b.A876 2017 EB |
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| 110 | 2 |
_aAssociation for Research in Otolaryngology (U.S.). _bMidwinter Research Meeting _n(36th : _d2013 : _cBaltimore, Md.), _eautor |
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| 245 | 1 | 4 |
_aThe auditory system at the cocktail party _cJohn C. Middlebrooks, Jonathan Z. Simon, Arthur N. Popper, Richard R. Fay, editors. |
| 250 | _a1st edition. | ||
| 264 | 1 |
_a[Melville, New York] _bASA Press ; _aCham, Switzerland _bSpringer _c[2017] |
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| 300 |
_a1 recurso en línea (xiv, 291 páginas) _bilustraciones |
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| 336 |
_aTexto _btxt _2rdacontent |
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_aunmediated _bn _2rdamedia |
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_avolume _bnc _2rdacarrier |
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_atext file _bPDF _2rda |
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_aSpringer handbook of auditory research _x0947-2657 _vvolume 60 |
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| 500 |
_aSpringerLink _bSpringer Biomedical and Life Sciences eBooks 2017 English+International |
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| 504 | _aIncluye referencias bibliográficas | ||
| 505 | 0 | _aThe Acoustical Society of America; Series Preface; Preface 1992; Volume Preface; Contents; Contributors; 1 Ear and Brain Mechanisms for Parsing the Auditory Scene; Abstract; 1.1 Introduction; 1.2 Some Central Concepts; 1.3 Overview of the Volume; 1.4 Ears and Brains; References; 2 Auditory Object Formation and Selection; Abstract; 2.1 Introduction; 2.1.1 The Cocktail Party: Confusing Mixtures and Limited Processing Capacity; 2.1.2 Object-Based Attention; 2.1.3 Heterarchical Rather Than Hierarchical Processing; 2.1.4 A Historical Note; 2.2 Parsing the Acoustic Scene: Auditory Object Formation. | |
| 505 | 8 | _a2.2.1 Local Spectrotemporal Cues Support "Syllable-Level" Object Formation2.2.2 Higher-Order Features Link Syllables into "Streams"; 2.2.3 Open Questions; 2.3 Focusing Attention: Selecting What to Process; 2.3.1 Top-Down Control Guides Selection; 2.3.2 Bottom-up Salience Influences Attention; 2.3.3 Extracting Meaning from Imperfect Objects; 2.4 Perceptual Consequences of Object-Based Auditory Selective Attention; 2.4.1 Failure to Divide Attention; 2.4.2 Obligatory Interactions Between Formation and Selection; 2.4.3 Costs of Switching Attention. | |
| 505 | 8 | _a2.5 Neural Mechanisms Supporting Object Formation2.6 Neural Mechanisms Supporting Object Selection; 2.6.1 Visual Cognitive Networks Controlling Attention; 2.6.2 Auditory Spatial Attention Engages Visual Orienting and Reorienting Networks; 2.6.3 Nonspatial Auditory Attention Differentially Engages Auditory-Specific Networks; 2.6.4 Both Sensory Modality and Task Demands Affect Network Activity; 2.6.5 Entrainment of Neural Responses to Attended Speech; 2.6.6 Other Neural Signatures of Focused Auditory Attention; 2.7 Summary Comments; References; 3 Energetic Masking and Masking Release; Abstract. | |
| 505 | 8 | _a3.1 Introduction3.2 Segregation by Fundamental Frequency; 3.2.1 The Effect of an F0 Difference; 3.2.2 Selecting Harmonic Components of a Common F0; 3.2.3 Temporal Analysis; 3.2.4 Effects of Peripheral Nonlinearity; 3.2.5 Cancellation Mechanisms; 3.2.6 Level of Processing; 3.2.7 Conclusions; 3.3 Masking and Masking Release by Envelope Fluctuations; 3.3.1 Listening in the Dips; 3.3.2 Effects of Peripheral Nonlinearity; 3.3.3 Modulation Masking; 3.3.4 Intrinsic Modulation in Noises; 3.3.5 Models Based on Modulation Filter Banks; 3.3.6 Dip Listening in the Hearing Impaired; 3.3.7 Conclusions. | |
| 505 | 8 | _a3.4 Spatial Release from Masking3.4.1 Better-Ear Listening; 3.4.2 Binaural Unmasking; 3.4.3 The Problem of "Sluggishness"; 3.4.4 Models of SRM; 3.4.5 Conclusions; 3.5 Other Mechanisms; 3.5.1 Effect of Frequency Modulation on Prominence; 3.5.2 Onset-Time Differences and the Potential Role of Adaptation; 3.6 Summary; References; 4 Informational Masking in Speech Recognition; Abstract; 4.1 Introduction; 4.2 The History of Study of the Special Case of SOS Masking; 4.3 Determining Energetic and Informational Masking in SOS Masking; 4.3.1 Uncertainty; 4.3.2 Controlling/Estimating Energetic Masking. | |
| 506 | _aAccess restricted to subscribing institutions. | ||
| 520 | 3 | _aThe Auditory System at the Cocktail Party is a rather whimsical title that points to the very serious challenge faced by listeners in most everyday environments: how to hear out sounds of interest amid a cacophony of competing sounds. The volume presents the mechanisms for bottom-up object formation and top-down object selection that the auditory system employs to meet that challenge. Ear and Brain Mechanisms for Parsing the Auditory Scene by John C. Middlebrooks and Jonathan Z. Simon Auditory Object Formation and Selection by Barbara Shinn-Cunningham, Virginia Best, and Adrian K.C. Lee Energetic Masking and Masking Release by John F. Culling and Michael A. Stone Informational Masking in Speech Recognition by Gerald Kidd, Jr. and H. Steven Colburn Modeling the Cocktail Party Problem by Mounya Elhilali Spatial Stream Segregation by John C. Middlebrooks Human Auditory Neuroscience and the Cocktail Party Problem by Jonathan Z. Simon Infants and Children at the Cocktail Party by Lynne Werner Older Adults at the Cocktail Party by M. Kathleen Pichora-Fuller, Claude Alain, and Bruce A. Schneider Hearing with Cochlear Implants and Hearing Aids in Complex Auditory Scenes by Ruth Y. Litovsky, Matthew J. Goupell, Sara M. Misurelli, and Alan Kan About the Editors: John C. Middlebrooks is a Professor in the Department of Otolaryngology at the University of California, Irvine, with affiliate appointments in the Department of Neurobiology and Behavior, the Department of Cognitive Sciences, and the Department of Biomedical Engineering. Jonathan Z. Simon is a Professor at the University of Maryland, College Park, with joint appointments in the Department of Electrical and Computer Engineering, the Department of Biology, and the Institute for Systems Research. Arthur N. Popper is Professor Emeritus and Research Professor in the Department of Biology at the University of Maryland, College Park. Richard R. Fay is Distinguished Research Professor of Psychology at Loyola University, Chicago. About the Series: The Springer Handbook of Auditory Research presents a series of synthetic reviews of fundamental topics dealing with auditory systems. Each volume is independent and authoritative; taken as a set, this series is the definitive resource in the field. | |
| 650 | 7 |
_aPercepción auditiva _2embne _0(OCoLC)fst01919310 _0 _9144187 |
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| 700 | 1 |
_aFay, Richard R. _eeditor literario _984151 |
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| 700 | 1 |
_aMiddlebrooks, John C. _q(John Charles), _d1954- _eeditor literario |
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| 700 | 1 |
_aPopper, Arthur N., _eeditor literario _984152 |
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| 700 | 1 |
_aSimon, Jonathan Z. _q(Jonathan Zev), _d1963- _eeditor literario |
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| 710 | 2 |
_aAcoustical Society of America, _esponsoring body. _9106161 |
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| 856 | 4 | 0 |
_uhttps://go.openathens.net/redirector/universidadeuropea.es?url=http://link.springer.com/10.1007/978-3-319-51662-2 _zAcceso a este recurso digital (usuarios Universidad Europea de Madrid) |
| 988 | _aEBOOK, asignarmaterias, EBSPRINGER_2017C | ||
| 998 |
_b02/2018 _dz _e- _zSI |
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