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007			cr |n|||||||||
008			170102s2017 sz ob 000 0 eng d
020			_a3319472925 _q(electronic book)
020			_a9783319472928 _q(electronic book)
020			_z3319472917
020			_z9783319472911
035			_a(OCoLC)967365435 _z(OCoLC)967282857 _z(OCoLC)968561450 _z(OCoLC)971926669 _z(OCoLC)972102584 _z(OCoLC)972203563 _z(OCoLC)972426696 _z(OCoLC)972538030 _z(OCoLC)974469127 _z(OCoLC)974553972 _z(OCoLC)974651728 _z(OCoLC)1000115748 _z(OCoLC)1005755713 _z(OCoLC)1011792299
040			_aYDX _cYDX _dOCLCO _dGW5XE _dN$T _dIDEBK _dAZU _dUAB _dOCLCF _dCOO _dOCLCQ _dMERUC _dUPM _dIOG _dMERER _dESU _dOCLCQ _dJBG _dIAD _dICW _dICN _dOTZ _dOCLCQ _dVT2 _dU3W _dES-MaUEC _bspa
050		4	_aML3805 _b.S783 2017 EB
245	0	0	_aStudies in musical acoustics and psychoacoustics _cAlbrecht Schneider, editor.
264		1	_aCham, Switzerland _bSpringer _c[2017]
300			_a1 recurso en línea
336			_aTexto _btxt _2rdacontent
337			_aelectrónico _bc _2rdamedia
338			_arecurso electrónico _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aCurrent research in systematic musicology _vvolume 4
500			_aSpringerLink _bSpringer Engineering eBooks 2017 English+International
504			_aIncluye referencias bibliográficas
505	0		_aIntroduction -- Japanese Flutes and their musical acoustic peculiarities -- Acoustics of the Qin -- Tone Production of the Wurlitzer and Rhodes E-Pianos -- Feedback of Different Room Geometries on the Sound Generation and Sound Radiation of an Organ Pipe -- Acoustical Modeling of Mutes for Brass Instruments -- Comparison of Vocal and Violin Vibrato with Relationship to the Source/Filter Model -- Vowel Quality in Violin Sounds -- a Timbre Analysis of Italian Masterpieces -- Sound, Pitches and Tuning of a Historic Carillon -- Source Width in Music Production. Methods in Stereo, Ambisonics, and Wave Field Synthesis -- Methods in Neuromusicology: Principles, Trends, Examples and the pros and cons -- An intelligent music system to perform different "shapes of jazz -- to come -- Explorations in Keyboard Temperaments. Some Empirical Observations.
520	3		_aThis book comprises twelve articles which cover a range of topics from musical instrument acoustics to issues in psychoacoustics and sound perception as well as neuromusicology. In addition to experimental methods and data acquisition, modeling (such as FEM or wave field synthesis) and numerical simulation plays a central role in studies addressing sound production in musical instruments as well as interaction of radiated sound with the environment. Some of the studies have a focus on psychoacoustic aspects in regard to virtual pitch and timbre as well as apparent source width (for techniques such as stereo or ambisonics) in music production. Since musical acoustics imply subjects playing instruments or singing in order to produce sound according to musical structures, this area is also covered including a study that presents an artifical intelligent agent capable to interact with a real ('analog') player in musical genres such as traditional and free jazz.
650		7	_aMúsica _xAcoustics and physics. _2embne _0(OCoLC)fst01030272 _0 _9138603
700	1		_aSchneider, Albrecht, _eeditor literario
856	4	0	_uhttps://go.openathens.net/redirector/universidadeuropea.es?url=http://link.springer.com/10.1007/978-3-319-47292-8 _zAcceso a este recurso digital (usuarios Universidad Europea de Madrid)
988			_aEBOOK, asignarmaterias, EBSPRINGER_2017B
998			_b02/2018 _dz _e- _zSI
999			_c95103 _d95103 _x1