000			03224nam a22004215i 4500
999			_c88218 _d88218 _x1
001			88218
003			ES-MaUEC
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007			cr nn 008mamaa
008			161122s2016 gw | s |||| 0|eng d
020			_a9783319473345
024	7		_a10.1007/978-3-319-47334-5 _2doi
040			_aES-MaUEC
050		4	_aML3845 _b2016 EB
100	1		_aMazzola, Guerino. _0http://id.loc.gov/authorities/names/n85154394 _914065 _0comprobar BNE19925784576
245	1	0	_aAll About Music : _bThe Complete Ontology: Realities, Semiotics, Communication, and Embodiment _cby Guerino Mazzola, Maria Mannone, Yan Pang, Margaret O'Brien, Nathan Torunsky
260			_aCham, Switzerland _bSpringer International Publishing _c2016
300			_a1 recurso en línea (XIII, 191 p.) _b141 ilustraciones, 114 ilustraciones en color
336			_aTexto (visual) _btxt _2rdacontent
337			_aelectrónico _bc _2rdamedia
338			_arecurso electrónico _bcr _2rdacarrier
490	1		_aComputational Music Science _x1868-0305
505	0		_aIntroduction -- Physical Reality -- Psychological Reality -- Mental Reality -- Generalities about Signs, Neumes, Periods and Development Sentences -- De Saussure and Peirce, the Semiotic Architecture, Digital vs. Analog Music Encoding -- Riemannian Harmony and The HarmonRubette Software -- De Saussure�s Six Dichotomies -- The Babushka Principle in Semiotics: Connotation, Motivation, Metatheory -- The Musical Case of Iterated Imbrication of Semiotic Components -- What Is Art? -- MIDI Code -- Global Music -- Gesture Theory in Music -- Frege�s Prison of Functions -- Music Without Scores. Neuroscience and Gestures -- Mathematical Gesture Theory -- Creativity Theory.
520			_aThis book explains music�s comprehensive ontology, its way of existence and processing, as specified in its compact characterization: music embodies meaningful communication and mediates physically between its emotional and mental layers. The book unfolds in a basic discourse in everyday language that is accessible to everybody who wants to understand what this topic is about. Musical ontology is delayed in its fundamental dimensions: its realities, its meaningful communication, and its embodied utterance from musical creators to an interested audience. The authors' approach is applicable to every musical genre and is scientific, the book is suitable for non-musicians and non-scientists alike.
650	0	7	_aMúsica _2embne _9138603
650	0	7	_aEstética musical _2embne _9142063
700	1		_aMannone, Maria. _999921 _0Local
700	1		_aPang, Yan. _999922 _0Local
700	1		_aO'Brien, Margaret. _9101770 _0Local
700	1		_aTorunsky, Nathan. _9101771 _0Local
856	4	0	_uhttps://go.openathens.net/redirector/universidadeuropea.es?url=https://link.springer.com/book/10.1007/978-3-319-47334-5zAcceso a este recurso digital (usuarios Universidad Europea de Madrid)
901			_ai9783319473345
907			_a.b12982222 _b10-10-17 _c08-03-17
942			_2lcc _cLE
945			_aML3845 .M399 2016 EB _g1 _ieBOOK _j0 _lmae _o- _pEUR0.00 _q- _r- _sb _t15 _u0 _v0 _w0 _x0 _y.i11604062 _z06-04-17
988			_aEBOOK, EBSPRINGER
998			_am _a_alco _a_vill _b - - _cm _dz _e- _feng _ggw _h0