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007			cr nn 008mamaa
008			160819s2016 gw | s |||| 0|eng d
020			_a9783319428734
040			_aES-MaUEC _bspa
050		4	_aQA76.575 _b.D83 2016 EB
082	0	4	_a006.7
100	1		_aDubnov, Shlomo _0Local _0http://id.loc.gov/authorities/names/n2004068630 _1http://viaf.org/viaf/297802816 _999917
245	1	0	_aCross-Cultural Multimedia Computing : _bSemantic and Aesthetic Modeling _cby Shlomo Dubnov, Kevin Burns, Yasushi Kiyoki
264		1	_aCham _bSpringer International Publishing _c2016
300			_a1 recurso en línea (XII, 62 páginas) _b31 ilustraciones
336			_aTexto (visual) _btxt _2rdacontent
337			_aelectrónico _bc _2rdamedia
338			_arecurso electrónico _bcr _2rdacarrier
490	0		_aSpringerBriefs in Computer Science _x2191-5768
505	0		_aIntroduction -- A 'Kansei' Multimedia and Semantic Computing System for Cross-Cultural Communication -- Cross-cultural Aesthetics: Analyses and Experiments in Verbal and Visual Arts -- Information Sensibility as a Cultural Characteristic: Tuning to Sound Details for Aesthetic Experience.
520			_aThe ability to communicate cultural codes in multimedia depends on their meaning and beauty, as perceived by different audiences around the globe. In this book, the ongoing research on computational modeling of visual, musical and textual contents is described in terms of identifying and mapping their semantic representations across different cultures. The underlying psychology of sense-making is quantified through analysis of aesthetics in terms of organizational and structural aspects of the contents that influence an audience�s formation of expectations for future signals, violations of these expectations, and explanations of their meaning. Complexity-accuracy tradeoffs in sound representation are further used to develop new computational methods that capture poietic and aesthetic aspects in music communication. Experimental studies are reported that try to characterize preferences for complexity in abstract, classical and traditional art and music across samples of Western and Far Eastern cultures. These experiments illustrate how aesthetics can be computed in terms of semantic and information measures, highlighting commonalities and uncovering differences in aesthetic preferences across cultures and individuals.
650		7	_aMultimedia _2embne _9147630
700	1		_aBurns, Kevin _0Local _0http://id.loc.gov/authorities/names/no99084123 _1http://viaf.org/viaf/51387613 _999918
700	1		_aKiyoki, Yasushi _0Local _0http://id.loc.gov/authorities/names/no00079319 _1http://viaf.org/viaf/68479805 _999919
710	2		_aSpringerLink (Online service) _0Local _0http://id.loc.gov/authorities/names/no2005046756 _1http://viaf.org/viaf/148105729 _9106996
856	4	0	_uhttps://go.openathens.net/redirector/universidadeuropea.es?url=https://link.springer.com/book/10.1007/978-3-319-42873-4 _zAcceso a este recurso digital (usuarios Universidad Europea de Madrid)
901			_ai9783319428734
907			_a.b12955747 _b10-10-17 _c21-11-16
942			_2lcc _cLE
945			_aEBOOK EB _g1 _ieBOOK _j0 _lmae _o- _pEUR0.00 _q- _r- _sb _t15 _u0 _v0 _w0 _x0 _y.i11615333 _z30-06-17
988	0	0	_aEBOOK, EBSPRINGER, GOBI_sep2018
988			_aEbook_one2one
998			_aSI _a_alco _a_vill _b10/2018 _cm _dz _ek _feng _ggw _h0
999			_c86296 _d86296 _x1