000			03713nam a22004215i 4500
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001			85494
003			ES-MaUEC
005			20230207040513.0
007			cr nn 008mamaa
008			160601s2016 gw | s |||| 0|eng d
020			_a9783319287225
040			_aES-MaUEC
050		4	_aN72.C63 _bC873 2016
082	0	4	_a005.437
082	0	4	_a4.019
245	1	0	_aCurating the Digital : _bSpace for Art and Interaction _cedited by David England, Thecla Schiphorst, Nick Bryan-Kinns
260			_aCham _bSpringer International Publishing _c2016
300			_a1 recurso en línea (X, 183 páginas) _b60 ilustraciones, 44 ilustraciones en color
336			_aTexto _btxt _2rdacontent
337			_aelectrónico _bc _2rdamedia
338			_arecurso electrónico _bcr _2rdacarrier
490	0		_aSpringer Series on Cultural Computing _x2195-9056
505	0		_aArt.CHI Curating the Digital -- A Designerly Way of Curating: Reflecting on Interaction Design Methods for Curatorial Practice.-Dealing with Disobedient Objects -- Curating Lively Objects: Post-Disciplinary Affordances for Media Art Exhibitions -- A Percussion-Focussed Approach to Preserving Touch-Screen Improvisation -- A Free-form Medium for Curating the Digital -- ICT&ART Connect: Connecting ICT & Art Communities Project Outcomes -- Interactivity and User Engagement in Art Presentation Interfaces -- Investigating Design and Evaluation Guidelines for Interactive Presentation of Visual Art -- Virtual Reality, Game Design and Virtual Art Galleries -- Adaptable, Personalizable and Multi User Museum Exhibits.
520	3		_aThis book combines work from curators, digital artists, human computer interaction researchers and computer scientists to examine the mutual benefits and challenges posed when working together to support digital art works in their many forms. In Curating the Digital we explore how we can work together to make space for art and interaction. We look at the various challenges such as the dynamic nature of our media, the problems posed in preserving digital art works and the thorny problems of how we assess and measure audience�s reactions to interactive digital work. Curating the Digital is an outcome of a multi-disciplinary workshop that took place at SICHI2014 in Toronto. The participants from the workshop reflected on the theme of Curating the Digital via a series of presentations and rapid prototyping exercises to develop a catalogue for the future digital art gallery. The results produce a variety of insights both around the theory and philosophy of curating digital works, and also around the practical and technical possibilities and challenges. We present these complimentary chapters so that other researchers and practitioners in related fields will find motivation and imagination for their own work.
650		7	_aArte digital _9160794 _2embne
650	0	7	_aInterfaces de usuario _2embne _9149839
700	1		_aEngland, David _eeditor literario _0Local _998498
700	1		_aSchiphorst, Thecla. _eeditor literario _998499 _0Local
700	1		_aBryan-Kinns, Nick _eeditor literario _0Local _998500
710	2		_aSpringerLink (Online service) _0Local _9106996
856	4	0	_uhttps://go.openathens.net/redirector/universidadeuropea.es?url=https://link.springer.com/book/10.1007/978-3-319-28722-5 _zAcceso a este recurso digital (usuarios Universidad Europea de Madrid)
901			_ai9783319287225
907			_a.b12947726 _b10-10-17 _c21-11-16
942			_2lcc _cLE
945			_aN72.C63 C873 2016 EB _g1 _ieBOOK _j0 _lmae _o- _pEUR0.00 _q- _r- _sb _t15 _u0 _v0 _w0 _x0 _y.i11591250 _z06-04-17
988			_aEBOOK, asignarmaterias , EBSPRINGER
998			_am _a_alco _a_vill _b - - _cm _dz _e- _feng _ggw _h0