| 000 | 02889nam a22003855i 4500 | ||
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_c85127 _d85127 _x1 |
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| 003 | ES-MaUEC | ||
| 005 | 20240111050120.0 | ||
| 007 | cr nn 008mamaa | ||
| 008 | 151124s2016 gw | s |||| 0|eng d | ||
| 020 | _a9783319257396 | ||
| 040 | _aES-MaUEC | ||
| 050 | 4 |
_aTJ211.4 _bD363 2016 |
|
| 082 | 0 | 4 | _a629.892 |
| 245 | 1 | 0 |
_aDance Notations and Robot Motion _cedited by Jean-Paul Laumond, Naoko Abe |
| 250 | _a1st ed. | ||
| 260 |
_aCham _bSpringer International Publishing _c2016 |
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| 300 |
_a1 recurso en línea (X, 430 páginas) _b268 ilustraciones, 100 ilustraciones en color |
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| 336 |
_aTexto _btxt _2rdacontent |
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| 337 |
_aelectrónico _bc _2rdamedia |
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| 338 |
_arecurso electrónico _bcr _2rdacarrier |
||
| 490 | 0 |
_aSpringer Tracts in Advanced Robotics _x1610-7438 _v111 |
|
| 520 | 3 | _aHow and why to write a movement? Who is the writer? Who is the reader? They may be choreographers working with dancers. They may be roboticists programming robots. They may be artists designing cartoons in computer animation. In all such fields the purpose is to express an intention about a dance, a specific motion or an action to perform, in terms of intelligible sequences of elementary movements, as a music score that would be devoted to motion representation. Unfortunately there is no universal language to write a motion. Motion languages live together in a Babel tower populated by biomechanists, dance notators, neuroscientists, computer scientists, choreographers, roboticists. Each community handles its own concepts and speaks its own language. The book accounts for this diversity. Its origin is a unique workshop held at LAAS-CNRS in Toulouse in 2014. Worldwide representatives of various communities met there. Their challenge was to reach a mutual understanding allowing a choreographer to access robotics concepts, or a computer scientist to understand the subtleties of dance notation. The liveliness of this multidisciplinary meeting is reflected by the book thank to the willingness of authors to share their own experiences with others. | |
| 650 | 7 |
_aInteligencia artificial _0comprobar BNE19900997218 _2embne _9413115 |
|
| 700 | 1 |
_aLaumond, Jean-Paul _eeditor literario _0Local _997845 |
|
| 700 |
_aAbe, Naoko _eeditor literario _0Local _997846 |
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| 710 | 2 |
_aSpringerLink (Online service) _0Local _9106996 |
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| 856 | 4 | 0 |
_uhttps://go.openathens.net/redirector/universidadeuropea.es?url=https://link.springer.com/book/10.1007/978-3-319-25739-6 _zAcceso a este recurso digital (usuarios Universidad Europea de Madrid) |
| 901 | _ai9783319257396 | ||
| 907 |
_a.b12944051 _b10-10-17 _c21-11-16 |
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_2lcc _cLE |
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_aTJ211.4 D363 2016 EB _g1 _ieBOOK _j0 _lmae _o- _pEUR0.00 _q- _r- _sb _t15 _u0 _v0 _w0 _x0 _y.i11588196 _z06-04-17 |
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| 988 | _aEBOOK, asignarmaterias , EBSPRINGER | ||
| 998 |
_am _a_alco _a_vill _b - - _cm _dz _e- _feng _ggw _h0 |
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