000			03156nam a22003975i 4500
999			_c85092 _d85092 _x1
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003			ES-MaUEC
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008			151012s2016 gw | s |||| 0|eng d
020			_a9783319252292
040			_aES-MaUEC
050		4	_aN7430.5 _bW334 2016
082	0	4	_a621.382
100	1		_aWade, Nicholas _0Local _976169
245	1	0	_aArt and Illusionists _cby Nicholas Wade
250			_a1st ed.
260			_aCham _bSpringer International Publishing _c2016
300			_a1 recurso en línea (XII, 386 páginas) _b377 ilustraciones, 350 ilustraciones en color
336			_aTexto _btxt _2rdacontent
337			_aelectrónico _bc _2rdamedia
338			_arecurso electrónico _bcr _2rdacarrier
490	0		_aVision, Illusion and Perception _x2365-7472 _v1
505	0		_aIntroduction -- Perspective Paradoxes -- Trompe l�oeil -- Mosaics and Tiling -- Impossible Figures -- Surrealism -- Geometrical Optical Illusions -- Ambiguity -- Hidden Images -- Word and Image -- Colour -- Contrast -- Faces -- Scintillation and Apparent Motion -- Moiré and Motion -- Stereoscopic Vision.
520	3		_aWe delight in using our eyes, particularly when puzzling over pictures. Art and illusionists is a celebration of pictures and the multiple modes of manipulating them to produce illusory worlds on flat surfaces. This has proved fascinating to humankind since the dawning of depiction. Art and illusionists is also a celebration of the ways we see pictures, and of our ability to distil meaning from arrays of contours and colours. Pictures are not only a source of fascination for artists, who produce them, but also for scientists, who analyse the perceptual effects they induce. Illusions provide the glue to cement the art and science of vision. Painters plumb the art of observation itself whereas scientists peer into the processes of perception. Both visual artists and scientists have produced patterns that perplex our perceptions and present us with puzzles that we are pleased to peruse. Art and illusionists presents these two poles of pictorial representation as well as presenting novel �perceptual portraits� of the artists and scientists who have augmented the art of illusion. The reader can experience the paradoxes of pictures as well as producing their own by using the stereoscopic glasses enclosed and the transparent overlay for making dynamic moiré patterns.
650		7	_aDiseño gráfico _0comprobar BNE19942240132 _2embne _9149816
650		7	_aIlusionismo _9668236 _2embne
710	2		_aSpringerLink (Online service) _0Local _9106996
856	4	0	_uhttps://go.openathens.net/redirector/universidadeuropea.es?url=https://link.springer.com/book/10.1007/978-3-319-25229-2 _zAcceso a este recurso digital (usuarios Universidad Europea de Madrid)
901			_ai9783319252292
907			_a.b12943708 _b10-10-17 _c21-11-16
942			_2lcc _cLE
945			_aN7430.5 W334 2016 EB _g1 _ieBOOK _j0 _lmae _o- _pEUR0.00 _q- _r- _sb _t15 _u0 _v0 _w0 _x0 _y.i1158788x _z06-04-17
988			_aEBOOK, asignarmaterias , EBSPRINGER
998			_am _a_alco _a_vill _b - - _cm _dz _e- _feng _ggw _h0