000			03998nam a22003135i 4500
001			403289
003			ES-MaUEC
005			20240603113742.0
007			cr nn 008mamaa
008			231226s2023 sz | o |||| 0|eng d
020			_a9783031459726
024	7		_a10.1007/978-3-031-45972-6 _2doi
040			_aES-MaUEC _bspa _cES-MaUEC _dES-MaUEC
050		4	_aHF5548.7-5548.85 _b2023 EB
100	1		_aMcIntyre, Phillip. _eauthor. _4aut _4http://id.loc.gov/vocabulary/relators/aut
245	1	0	_aCreativity and Creative Industries in Regional Australia : _bInterconnected Networks, Shared Knowledge and Choice Making Agents _cby Phillip McIntyre, Susan Kerrigan, Janet Fulton, Evelyn King, Claire Williams
250			_a1st ed. 2023
264		1	_aCham _bSpringer International Publishing _c2023
300			_a1 recurso en línea
336			_atexto _btxt _2rdacontent
337			_aelectrónico _bc _2rdamedia
338			_arecurso electrónico _bcr _2rdacarrier
490	0		_aPalgrave Studies in Creativity and Culture _x2755-4511
505	0		_aChapter 1: Introduction -- Chapter 2: Creativity and the Creative Industries: History and Context -- Chapter 3: Creative Industries: Global and Local Perspectives -- Chapter 4: Statistical Analysis -- Chapter 5: Music -- Chapter 6: Performing Arts -- Chapter 7: Architecture -- Chapter 8: Visual Arts -- Chapter 9: Fashion -- Chapter 10: Advertising, PR and Design -- Chapter 11: Publishing -- Chapter 12: Radio -- Chapter 13: Film and Television -- Chapter 14: Electronic Games and Interactive Content -- Chapter 15: Support Organizations, Education and Training -- Chapter 16: Conclusion.
520			_aThis book explores the relationship between creativity, creative people, and creative industries in regional Australia through examining lived experience. The authors draw on more than 100 qualitative interviews with creative workers, and contextualise this creative work within the broader social and cultural structures of Australia's Hunter region (located north of Sydney, in New South Wales). An invaluable resource for anyone interested in creative ecosystems as well as creativity and innovation, this book is an ethnographic study using the Hunter region as a case connected to the national and global networks that typify the creative industry. This timely addition to the Palgrave Studies in Creativity and Culture series gives a unique insight into creativity and cultural production. Phillip McIntyre is a Professor in the School of Humanities, Creative Industries and Social Sciences at the University of Newcastle, Australia. A communication and media scholar, his research focuses on creativity and innovation. Susan Kerrigan is Professor and Chair of the Department of Film, Games and Animation at Swinburne University of Technology, Australia. An expert in the fields of creative practice and screen production, her research highlights creative agents and how their practices produce creative products that are culturally consumed. Janet Fulton is Adjunct Associate Professor at the Royal Melbourne Institute of Technology (RMIT), Australia. Her research interests include creativity and cultural production, journalism, journalism education, media entrepreneurship and work-integrated-learning. Evelyn King worked in schools and academia before tackling PR at the Australian Museum. She has experience in cultural and heritage tourism, economic development, smart city initiatives, renewable energy and business start-ups. Claire Williams is a writer and editor. Formerly Faculty Director Creative Industries at Hunter TAFE, she has also taught Communications, Information Studies and HR at tertiary level. She is also an actor and theatre director working in stage and film.
856	4	0	_uhttps://go.openathens.net/redirector/universidadeuropea.es?url=https://doi.org/10.1007/978-3-031-45972-6 _zAcceso a este recurso digital (usuarios Universidad Europea de Madrid)
942			_2lcc _cLE
988			_aSpringer_Psychology_2023
999			_c403289 _d403289