000			02764nam a22003135i 4500
001			403127
003			ES-MaUEC
005			20240603113727.0
007			cr nn 008mamaa
008			230602s2023 sz | o |||| 0|eng d
020			_a9783030779955
024	7		_a10.1007/978-3-030-77995-5 _2doi
040			_aES-MaUEC _bspa _cES-MaUEC _dES-MaUEC
050		4	_aTK5102.9 _b2023 EB
100	1		_aWade, Nicholas. _eauthor. _4aut _4http://id.loc.gov/vocabulary/relators/aut
245	1	0	_aVision and Art with Two Eyes _cby Nicholas Wade
250			_a1st ed. 2023
264		1	_aCham _bSpringer International Publishing _c2023
300			_a1 recurso en línea
336			_atexto _btxt _2rdacontent
337			_aelectrónico _bc _2rdamedia
338			_arecurso electrónico _bcr _2rdacarrier
490	0		_aVision, Illusion and Perception _x2365-7480 ; _v3
505	0		_aSetting the seen -- A little history -- Binocular vision -- Stereoscopes -- Stereoscopic vision -- Binocular rivalry -- Binocular controversies -- Binocular art -- Conclusion.
520			_aThis book celebrates binocular vision by presenting illustrations that require two eyes to see the effects of cooperation and competition between them. Pictures are flat but by printing them in different colours and viewing them through similarly coloured filters (included with the book) they are brought to life either in stereoscopic depth or in rivalry with one another. They are called anaglyphs and all those in the book display the ways in which the eyes interact. Thus, the reader is an integral element in the book and not all readers will see the same things. The history, science and art of binocular vision can be experienced in ways that are not usually available to us and with images made specifically for this book. The study of vision with two eyes was transformed by the invention of stereoscopes in the early 19th century. Anaglyphs are simple forms of stereoscopes that have three possible outcomes from viewing them - with each eye alone to see the monocular images, with both eyes to see them in stereoscopic depth or rivalry, or without the red/cyan glasses where they can have an appeal independent of the binocularity they encompass. Through the binocular pictures and the words that accompany them there will be an appreciation of just how remarkable the processes are that yield binocular singleness and depth. Moreover, the opportunities for expressing these processes are explored with many examples of truly binocular art.
856	4	0	_uhttps://go.openathens.net/redirector/universidadeuropea.es?url=https://doi.org/10.1007/978-3-030-77995-5 _zAcceso a este recurso digital (usuarios Universidad Europea de Madrid)
942			_2lcc _cLE
988			_aSpringer_Psychology_2023
999			_c403127 _d403127