000			03817nam a22003015i 4500
001			402700
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005			20240528105921.0
007			cr nn 008mamaa
008			231001s2023 sz | o |||| 0|eng d
020			_a9783031347696
024	7		_a10.1007/978-3-031-34769-6 _2doi
040			_aES-MaUEC _bspa _cES-MaUEC _dES-MaUEC
050		4	_aRC346-429.2 _b2023 EB
245	0	0	_aEffects of Opera Music from Brain to Body : _bA Matter of Wellbeing _cedited by Lorenzo Lorusso, Michele Augusto Riva, Vittorio Alessandro Sironi
250			_a1st ed. 2023
264		1	_aCham _bSpringer International Publishing _c2023
300			_a1 recurso en línea
336			_atexto _btxt _2rdacontent
337			_aelectrónico _bc _2rdamedia
338			_arecurso electrónico _bcr _2rdacarrier
490	0		_aNeurocultural Health and Wellbeing _x2731-4472
505	0		_aPart I. A Medical Look at Opera -- Chapter 1. Pathology and Lirics: Diseases and Illness in the Opera -- Chapter 2. Physicians, Charlatans, Healers and Aphotecaries in Opera -- Chapter 3. Caring Through Music: Music Therapy and Opera Therapy -- Part II. Relationship Between Music and the Brain -- Chapter 4. "Va Sossopra il Mio Cervello" (It Goes over My Brain): Neurology and Psychiatry in the Opera -- Chapter 5. Neuro-Musicology of Opera -- Chapter 6. The Singing Brain: Words and Music in the Opera -- Part III. Diseases that Affect Workers in the Opera World -- Chapter 7. Work and Disease in Italian Operas -- Chapter 8. Operatic Inspiration, Genius and Madness -- Chapter 9. Playing and Singing: A Demanding Profession -- Part IV. Finale -- Chapter 10. Representational Conventions and Varieties of Operatic Madness: The Gap Between Dramaturgy and Diagnosis.
520			_aThis book explores the connection between melodrama and medicine from multiple perspectives. Neuroscientists study the relationship between opera and brain functioning in the light of new findings in the fields of neurophysiology, neuroimaging, cognitive science and neuro-musicology; clinicians investigate the therapeutic potential of music, especially in the field of treatment and rehabilitation of individuals with neurodegenerative diseases; medical historians analyse the representation of diseases and those who cure diseases within operas; occupational doctors report descriptions of diseases that affect workers in the opera world and particularly focus on psychiatric and psychological alterations. Opera, with its instrumental and vocal accompaniment, is considered the most complete form of theatrical performance. However, little is known about the mechanisms of brain activity under the influence of melodrama on singers, musicians, and listeners. The use of neuroimaging techniques has enabled a better understanding of the neuronal mechanisms and circuits involved during an opera performance. Over the past 20 years, melodrama has increasingly been used as a therapeutic approach in various neurological and neuropsychiatric pathologies, such as depression, cognitive impairment, and even coma. The book also discusses the ways in which melodrama affects professionals involved in music and interventions to reduce or alleviate occupational diseases, leading to improved health and higher life satisfaction. The ultimate goal is to improve therapeutic interventions in neurological diseases and professional disorders, relying on solid neuroscientific data. This book will be of great interest to neurologists, neurobiologists, psychiatrists, occupational doctors and therapists in music.
856	4	0	_uhttps://go.openathens.net/redirector/universidadeuropea.es?url=https://doi.org/10.1007/978-3-031-34769-6 _zAcceso a este recurso digital (usuarios Universidad Europea de Madrid)
942			_2lcc _cLE
988			_aSpringer_Medicine_2023
999			_c402700 _d402700