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008			230530s2023 sz | o |||| 0|eng d
020			_a9783031301834
024	7		_a10.1007/978-3-031-30183-4 _2doi
040			_aES-MaUEC _bspa _cES-MaUEC _dES-MaUEC
050		4	_aMT90 _b2023 EB
100	1		_aZheng, Linshujie _eautor _4http://id.loc.gov/vocabulary/relators/aut _9689560
245	1	0	_aClassification of Musical Objects for Analysis and Composition _cby Linshujie Zheng, Guerino Mazzola
250			_a1st ed 2023
264		1	_aCham _bSpringer International Publishing _c2023
300			_a1 recurso en línea
336			_atexto _btxt _2rdacontent
337			_aelectrónico _bc _2rdamedia
338			_arecurso electrónico _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aComputational Music Science _x1868-0313
505	0		_aPart I Initial Orientation -- 1 The Basic Problem of Classification -- Part II General Formal Concepts -- 2 Ontology, Oniontology, and Creativity -- 3 Formal Representation of Musical Structures -- 4 Denotators over General Categories -- 5 Composition Denotators and Classification -- 6 Gestural Denotators: A First Overview -- 7 The Escher Theorem for Compositions and Gestures -- Part III Local Classification -- 8 Local Composition and Gesture Classification -- 9 Classification of Chords -- 10 Motif Classes -- 11 Third Chain Classes -- 12 Harmony through Third Chains -- 13 Counterpoint Worlds -- 14 Strong Interval Dichotomies -- 15 Microtonal Contrapuntal Theories -- 16 Dodecaphonic Rows -- Part IV Global Classification -- 17 Global Composition and Gesture Classification -- 18 The Classification Theorem for Global Compositions -- 19 The Classification Problem of Global Gestures -- 20 Singular Homology of Hypergestures -- 21 Local Gestures, Structures of Knots, and Local Gestures as Local Compositions -- Part V Classification and Creativity -- 22 Gestural Interpretation and Future Developments -- Part VI References, Index -- 23 Classification Lists.
520			_aThis book presents and discusses the fundamental topic of classification of musical objects, such as chords, motifs, and gestures. Their classification deals with the exhibition of isomorphism classes. Our structure types include local and global constructions, the latter being similar to global structures in geometry, such as differentiable manifolds. The discussion extends to the role, which classification plays for the creative construction of musical compositions. Our examples include references to classical compositions, such as Beethoven's sonatas, and some of the author's own compositions of classical and jazz styles. We also discuss software that enables the application of classification to musical creativity. The volume is addressed to an audience that would apply classification to programming and creative musical construction.
988			_aSpringer_Computer_2023
650		7	_2embne _9168837 _aMúsica _xAnálisis
700	1		_914065 _aMazzola, Guerino _eautor
856	4	0	_uhttps://go.openathens.net/redirector/universidadeuropea.es?url=https://doi.org/10.1007/978-3-031-30183-4 _zAcceso a este recurso digital (usuarios Universidad Europea de Madrid)
942			_2lcc _cLE
998			_b02/2024 _dz _ek _zSI