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020			_a9783030955380
024	7		_a10.1007/978-3-030-95538-0 _2doi
040			_aES-MaUEC _bspa _cES-MaUEC _dES-MaUEC
050		4	_aQA76.889 _b2022 EB
245	0	0	_aQuantum Computing in the Arts and Humanities : _ban Introduction to Core Concepts, Theory and Applications _cedited by Eduardo Reck Miranda
250			_aFirst edition 2022
264		1	_aCham _bSpringer International Publising _c2022
300			_a1 recurso en línea (IX, 367 páginas) _b158 ilustraciones, 63 ilustraciones a color
336			_atexto _btxt _2rdacontent
337			_aelectrónico _bc _2rdamedia
338			_arecurso electrónico _bcr _2rdacarrier
347			_aarchivo de texto _bPDF
505	0		_aFrom digital humanities to quantum humanities: Potentials and applications -- Quantum computing and cognitive simulation -- The philosophy of quantum computing -- Quantum-like cognition and rationality: Biological and artificial intelligence systems -- Quantum music, quantum arts and their perception -- Quanta in sound, the sound of quanta: A voice-informed quantum theoretical perspective on sound -- Quantum cinema and quantum computing -- How to make qubits speak -- A quantum computing approach to harnessing the logic of the mind for brain-computer interfacing -- The history of games for (quantum) computers.
520			_aQuantum computing (QC) is surfacing as a promising disruptive technology in the field of computer science. Built on the principles of quantum mechanics, QC can run algorithms that are not trivial to run on digital computers. Unprecedented new uses for this technology are bound to emerge from ongoing research. The development of conventional digital computing technology for the arts and humanities has been progressing in tandem with the evolution of computers since the 1950s. Today, computers are absolutely essential for the arts and humanities. Therefore, future developments in QC are most likely to impact on how research in the humanities will be conducted and the way in which artists will create and perform. This integrating book delivers a diverse collection of chapters by pioneers of emerging interdisciplinary research at the crossroads of quantum computing, and the arts and humanities. Topics & features: Presents the first work dedicated to the topic of QC in the arts and humanities Offers accessible coverage for audiences without a strong background in quantum physics and mathematics, including humanities researchers and those involved in entertainment and the creative arts Covers topics at the crossroads of QC, from philosophy and social sciences to games and music Provides insights from leading scholars in the arts and humanities who are pioneering the use of QC in their fields This unique book assembles contributions by scholars championing research in a wide array of areas, informed by quantum computing. Researchers and readers will benefit from thought-provoking discussions in numerous areas, including cognition, perception, language, music, games, visualization of the sub-atomic world, and brain-machine communication. Prof. Eduardo Reck Miranda is a composer and a professor in Computer Music at Plymouth University, UK, where he is a director of the Interdisciplinary Centre for Computer Music Research (ICCMR). His previous publications include the Springer titles Handbook of Artificial Intelligence for Music, Guide to Unconventional Computing for Music, Guide to Brain-Computer Music Interfacing and Guide to Computing for Expressive Music Performance.
988			_aSpringer_Computer_2022
650		7	_2embne _9166087 _aOrdenadores cuánticos
650		7	_2embne _9144821 _aArte y tecnología
700	1		_aMiranda, Eduardo Reck _eeditor literario _0(orcid)0000-0002-8306-9585 _1https://orcid.org/0000-0002-8306-9585 _4edt _4http://id.loc.gov/vocabulary/relators/edt
776	0	8	_iPrinted edition: _z9783030955373
776	0	8	_iPrinted edition: _z9783030955397
776	0	8	_iPrinted edition: _z9783030955403
856	4	0	_uhttps://go.openathens.net/redirector/universidadeuropea.es?url=https://doi.org/10.1007/978-3-030-95538-0 _zAcceso a este recurso digital (usuarios Universidad Europea de Madrid)
942			_2lcc _cLE
998			_b11/2022 _dz _eIG _zSI