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008			160730s2016 sz | s |||| 0|eng d
020			_a9783319309422
024	7		_a10.1007/978-3-319-30942-2 _2doi
040			_aES-MaUEC _bspa _cES-MaUEC _dES-MaUEC _dES-MaUEC
050		4	_aPN1995.9.F54 _b2016 EB
100	1		_aTyrer, Ben _eautor _4aut _4http://id.loc.gov/vocabulary/relators/aut _9688650
245	1	0	_aOut of the Past : _bLacan and Film Noir _cby Ben Tyrer
250			_aFirst edition 2016
264		1	_aCham _bSpringer International Publishing _c2016
300			_a1 recurso en línea
336			_2rdacontent _aTexto _btxt
337			_2rdamedia _aelectrónico _bc
338			_2rdacarrier _arecurso electrónico _bcr
347			_aarchivo de texto _bPDF
490	0		_aThe Palgrave Lacan Series
505	0		_aIntroduction: Into the Past/Out of the Past -- PART I: SYMBOLIC -- Chapter 1. Film Noir as Point de Capiton: Retroactive Temporality and Symbolic Structure -- PART II: REAL -- Chapter 2. Film Noir Doesn't Exist: Impossibility, Definition and the Point of Failure -- PART III: IMAGINARY -- Chapter 3. The Boundaries and Meaning of Noir: Suture, Metaphor and the Historical Imaginary -- PART IV: BORROMEAN KNOT -- Chapter 4. The Idea of Noir: Fiction, Signifier, Genre.
520			_aThis book presents a new reading of film noir through psychoanalytic theory. In a field now dominated by Deleuzian and phenomenological approaches to film-philosophy, this book argues that, far from having passed, the time for Lacan in Film Studies is only just beginning. The chapters engage with Lacanian psychoanalysis to perform a meta-critical analysis of the writing on noir in the last seven decades and to present an original theory of criticism and historiography for the cinema. The book is also an act of mourning; for a lost past of the cinema, for a longstanding critical tradition and for film noir. It asks how we can talk about film noir when, in fact, film noir doesn't exist. The answer starts with Lacan and a refusal to relinquish psychoanalysis. Lacanian theories of retroactivity and ontology can be read together with film history, genre and narrative to show the ways in which theory and history, past and present, cinema and psychoanalysis are fundamentally knotted together. Tyrer also explores Lacan through particular noir films, such as Double Indemnity andThe Maltese Falcon - and demonstrates the possibilities for a Lacanian Film Studies (as one that engages fully with Lacan's entire body of work) that has hitherto not been realised. Ben Tyrer is Lecturer in Film Studies at King's College London, UK. His research interests include film theory, film-philosophy and Lacanian psychoanalysis. He is the co-editor of a forthcoming collection, titled Psychoanalytic Approaches to Representing the Unrepresentable, and has published work in Studies in French Cinema and Film-Philosophy, as well as several edited collections on psychoanalysis, culture and society. He is also co-coordinator of the Psychoanalysis in Our Time research network, supported by the Nordic Summer University.
988			_aSpringer_Psychology_2016
600	1	4	_98510 _aLacan, Jacques _d1901-1981
650		7	_2embne _9163951 _aCine negro
650		7	_2embne _9158735 _aPsicoanálisis y cine
776	0	8	_iPrinted edition: _z9783319309415
776	0	8	_iPrinted edition: _z9783319309439
776	0	8	_iPrinted edition: _z9783319809236
856	4	0	_uhttps://go.openathens.net/redirector/universidadeuropea.es?url=https://doi.org/10.1007/978-3-319-30942-2 _zAcceso a este recurso digital (usuarios Universidad Europea de Madrid)
942			_2lcc _cLE
998			_b05/2022 _dz _ek _zSI