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020 _a9781137483324
024 7 _a10.1057/978-1-137-48332-4
_2doi
040 _aES-MaUEC
_bspa
_cES-MaUEC
_dES-MaUEC
_dES-MaUEC
050 4 _aN6494.A2
_b2016 EB
100 1 _aHackett, Paul M. W.
_eautor
_4aut
_4http://id.loc.gov/vocabulary/relators/aut
_9672512
245 1 0 _aPsychology and Philosophy of Abstract Art :
_bNeuro-aesthetics, Perception and Comprehension
_cby Paul M.W. Hackett
250 _aFirst edition 2016
264 1 _aLondon
_bSpringer International Publishing
_c2016
300 _a1 recurso en línea (XXIII, 140 páginas)
_bilustraciones
336 _2rdacontent
_aTexto
_btxt
337 _2rdamedia
_aelectrónico
_bc
338 _2rdacarrier
_arecurso electrónico
_bcr
347 _aarchivo de texto
_bPDF
505 0 _aPreface -- Chapter 1. Defining Two-Dimensional Abstract Art -- Chapter 2. Theorising Perception -- Chapter 3. Expanding Theoretical Complexity -- Chapter 4. Perceptual Content, Process and Categorial Ontologies -- Chapter 5. Mapping Sentence and Partial Order Mereology for Perceiving Abstract Art.
520 _aThis book examines how we perceive and understand abstract art in contrast to artworks that represent reality. Philosophical, psychological and neuroscience research, including the work of philosopher Paul Crowther, are considered and out of these approaches a complex model is developed to account for this experience. The understanding embodied in this model is rooted in facet theory, mapping sentences and partially ordered analyses, which together provide a comprehensive understanding of the perceptual experience of abstract art.
988 _aSpringer_Psychology_2016
650 7 _2embne
_9138688
_aArte abstracto
650 7 _2embne
_9168565
_aPsicología del arte
776 0 8 _iPrinted edition:
_z9781137483317
776 0 8 _iPrinted edition:
_z9781349694563
776 0 8 _iPrinted edition:
_z9781349694556
856 4 0 _uhttps://go.openathens.net/redirector/universidadeuropea.es?url=https://doi.org/10.1057/978-1-137-48332-4
_zAcceso a este recurso digital (usuarios Universidad Europea de Madrid)
942 _2lcc
_cLE
998 _b05/2022
_dz
_ek
_zSI