000			02891nam a2200445 i 4500
999			_c368660 _d368660
001			368660
003			SpMaBN
005			20230102121756.0
006			a|||||r|||| 00| 0
007			ta
008			201001s2019 sp a | |||| 000 0 eng
015			_aMON19
017			_aB 22158-2019 _bOficina Depósito Legal Barcelona
020			_a9788491683407
035			_a(OCoLC)1202797113
040			_aSpMaBN _bspa _cSpMaBN _dES-MaUEC
041	1		_aeng _hspa
050		4	_aN6490 _b.G83313 2019
080			_a7.036/.038
080			_a7:316.4.063.3-027.511
080			_a316.72-054.57(0:7)
100	1		_aGuasch, Anna Maria _d1953- _eautor _95644
240	1	3	_aEl arte en la era de lo global _lInglés _kSelección
245	1	4	_aThe turns of the global _cAnna Maria Guasch ; translation Paul E. Davis
264		1	_aBarcelona _bEdicions de la Universitat de Barcelona _c2019
300			_a206 páginas _bilustraciones en color _c24 cm
336			_aTexto _2rdacontent _btxt
337			_asin mediación _2rdamedia _bn
338			_avolumen _2rdacarrier _bnc
490	0		_aAGI (Art, Globalization, Interculturality) _v4
504			_aIncluye referencias bibliográficas
520			_aWhen we talk about the geographical, ecological, ethnographic, historical, documentary, and cosmopolitan “turns” in relation to the work of practitioners of contempory art, what exactly do we mean? Are we talking about a “reading strategy”? About an interpretive model, as would be derived from the linguistic turn of the 1970s, or rather about a stratigraphic structure that could be read across multiple cultural practices? Do we wish to read one system by means of another system, in a way that one nurtures the other so that it can open us up to other forms of being? Or is it rather about a generative movement in which a new horizon emerges in the process, leaving behind the practice that was its point of departure? The recurrence of “turn” in place of “style”, “-ism”, or “tendency” would ultimately respond to a clear urgency of the contemporary global world: a movement characterised by aesthetic pluralism, by the simultaneousness of various modi operandi, and by a great multiplicity of languages that constantly change their state while having many features in common. And “turn” would also allow within the space of the contemporary — of here and now —, a great diversity of stories from all around the world that should be confronted simultaneously in an intellectual outlook that is continuous and disjunctive, essential to understanding the present as a whole. -- Contraportada
650		7	_aArte _yS.XX _2embne
650		7	_aArte _yS.XXI _2embne _9398378
650		7	_aArte y globalización _2embne
650		7	_aMulticulturalismo _xEn el arte _2embne _9150898
700	1		_aDavis, Paul E. _etraductor _9683443
942			_2lcc
998			_b04/2022 _da _eb _zSI