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008			220224s2022 sz | s |||| 0|eng d
020			_a9783030856946
024	7		_a10.1007/978-3-030-85694-6 _2doi
040			_aES-MaUEC _bspa _cES-MaUEC _dES-MaUEC
050			_aML410 .L54 _b2022 EB
100	1		_aNamoradze, Nicolas, _eautor _9683351 _d1992-
245	1	0	_aLigeti's Macroharmonies : _bA Graphical-Statistical Analysis of Book 3 of the Piano Etudes _cby Nicolas Namoradze
250			_aFirst edition 2022
264		1	_aCham _bSpringer International Publising _c2022
300			_a1 recurso en línea (X, 203 páginas) _b190 ilustraciones, 111 ilustraciones a color
336			_2rdacontent _aTexto _btxt
337			_2rdamedia _aelectrónico _bc
338			_2rdacarrier _arecurso electrónico _bcr
347			_aarchivo de texto _bPDF
490	0		_aComputational Music Science _x1868-0313
505	0		_aIntroduction -- Alternating Diatonic Qualities in Etude 15, White on White -- Gradual Disintegrations in Etude 16, Pour Irina -- Articulating Ternary Structures in Etude 17, À bout de souffle -- Tonal Procedures in Etude 18, Canon -- Conclusion -- Appendix 1: Scrolling Videos -- Appendix 2: Maximal Forces on Fourier Balances -- Bibliography.
520			_aIn the third and final book of his iconic piano etudes György Ligeti charts a new path relative to the rest of his musical output, representing a significant arrival in a composer's oeuvre known for its stylistic transformations. This monograph is the first dedicated study of these capstone works, investigating them through a novel lens of statistical-graphical analysis that illuminates their compositional uniqueness as well as broader questions regarding the perception of stability in musical texture. With nearly 200 graphical illustrations and a detailed commentary, this examination reveals the unique manner in which Ligeti treads between tonality and atonality-a key idea in his late style-and the centrality of processes related to broader scale areas (or "macroharmony") in articulating structures and narratives. The analytical techniques developed here are a powerful tool for investigating macroharmonic stability that can be applied to a wide range of repertoire beyond these works. This book is intended for graduate-level and professional music theorists, musicologists, performers and mathematicians.
988			_aSpringer_Computer_2022
600	1	4	_912304 _aLigeti, György _d1923-2006 _xCrítica e interpretación
773	0		_tSpringer Nature eBook
856	4	0	_uhttps://go.openathens.net/redirector/universidadeuropea.es?url=https://doi.org/10.1007/978-3-030-85694-6 _zAcceso a este recurso digital (usuarios Universidad Europea de Madrid)
942			_2lcc _cLE _n0
998			_b04/2022 _dz _eu _zSI