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008			211115s2021 sz | s |||| 0|eng d
020			_a9783030856298
024	7		_a10.1007/978-3-030-85629-8 _2doi
040			_aES-MaUEC _bspa _cES-MaUEC _dES-MaUEC
050		4	_aML3850 _b2021 EB
100	1		_aMazzola, Guerino _914065
245	1	0	_aMaking Musical Time _cby Guerino Mazzola, Alex Lubet, Yan Pang, Jordon Goebel, Christopher Rochester, Sangeeta Dey.
250			_aFirst edition 2021
264		1	_aCham _bSpringer International Publising _c2021
300			_a1 recurso en línea (XIII, 265 páginas) _b100 ilustraciones, 40 ilustraciones a color
336			_2rdacontent _aTexto _btxt
337			_2rdamedia _aelectrónico _bc
338			_2rdacarrier _arecurso electrónico _bcr
347			_aarchivo de texto _bPDF
490	0		_aComputational Music Science _x1868-0313
490	0		_aComputer Science (SpringerNature-11645)
490	0		_aComputer Science (R0) (SpringerNature-43710)
505	0		_aPart I Ontological Orientation -- 1. Ontology, Oniontology, and the (History and Present Stage -- 5. Genealogy and Ontology of Human Time Perception -- Part III Musical Time Concepts -- 6. Meters and Rhythm -- 7. Structures of Organized Time -- 8. Musical Gestures -- 9. Kramer's Time Concepts -- 10. Distributed Identity in Music -- Part IV New Developments on Musical Time Concepts -- 11. Limits of Gestural Diagrams -- 12. Imaginary Time -- 13. Mathematical Modeling Kramer's Time Concepts -- 14. Functorial Semiotics of Time -- 15. Jordon, Chris, and Renan: Application of these theories -- 16. Experiments with Local and Global Rhythms -- Part V Conclusions -- 17. Time Constructs as a Deeply Musical Endeavor -- 18. Art of Time -- 19. Human Create their Own Time -- Part VI References, Index.
520	3		_aThis book is a comprehensive examination of the conception, perception, performance, and composition of time in music across time and culture. It surveys the literature of time in mathematics, philosophy, psychology, music theory, and somatic studies (medicine and disability studies) and looks ahead through original research in performance, composition, psychology, and education. It is the first monograph solely devoted to the theory of construction of musical time since Kramer in 1988, with new insights, mathematical precision, and an expansive global and historical context. The mathematical methods applied for the construction of musical time are totally new. They relate to category theory (projective limits) and the mathematical theory of gestures. These methods and results extend the music theory of time but also apply to the applied performative understanding of making music. In addition, it is the very first approach to a constructive theory of time, deduced from the recent theory of musical gestures and their categories. Making Musical Time is intended for a wide audience of scholars with interest in music. These include mathematicians, music theorists, (ethno)musicologists, music psychologists / educators / therapists, music performers, philosophers of music, audiologists, and acousticians.
988			_aSpringer_Computer_2021
650		7	_2embne _9681852 _aTiempo _xEn la música
700	1		_aLubet, Alex _eautor _4aut _4http://id.loc.gov/vocabulary/relators/aut
700	1		_aPang, Yan _eautor _4aut _4http://id.loc.gov/vocabulary/relators/aut
700	1		_aGoebel, Jordon _eautor _4aut _4http://id.loc.gov/vocabulary/relators/aut
700	1		_aRochester, Christopher _eautor _4aut _4http://id.loc.gov/vocabulary/relators/aut
700	1		_aDey, Sangeeta _eautor _4aut _4http://id.loc.gov/vocabulary/relators/aut
776	0	8	_iPrinted edition: _z9783030856281
776	0	8	_iPrinted edition: _z9783030856304
776	0	8	_iPrinted edition: _z9783030856311
856	4	0	_uhttps://go.openathens.net/redirector/universidadeuropea.es?url=https://doi.org/10.1007/978-3-030-85629-8 _zAcceso a este recurso digital (usuarios Universidad Europea de Madrid)
942			_2lcc _cLE
998			_b02/2022 _dz _eh _zSI