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020 _a9783662629079
024 7 _a10.1007/978-3-662-62907-9
_2doi
040 _aES-MaUEC
_bspa
_cES-MaUEC
_erda
_dES-MaUEC
050 4 _aQA9.64
_b2021 EB
100 1 _aHeister, Hanns-Werner
_eautor
_4aut
_4http://id.loc.gov/vocabulary/relators/aut
_9677852
_d1946-
245 1 0 _aMusic and Fuzzy Logic :
_bthe Dialectics of Idea and Realizations in the Artwork Process
_cby Hanns-Werner Heister
250 _aFirst edition 2021
264 1 _aBerlin, Heidelberg
_bSpringer International Pulishing
_c2021
300 _a1 recurso en línea (XXX, 724 páginas)
_b218 ilustraciones, 34 ilustraciones a color
336 _2rdacontent
_aTexto
_btxt
337 _2rdamedia
_aelectrónico
_bc
338 _2rdacarrier
_arecurso electrónico
_bcr
347 _atext file
_bPDF
_2
490 0 _aStudies in Fuzziness and Soft Computing
_x1434-9922
_v406
490 0 _aIntelligent Technologies and Robotics (SpringerNature-42732)
490 0 _aIntelligent Technologies and Robotics (R0) (SpringerNature-43728)
505 0 _aChapter 1: Introduction. Fuzzy Logic's Four Art-related Principles and Five Phenotypes in the Musical Process -- Chapter 2: The Structure of the Music Process and the Work's Thirteen 'Forms of Existence'. Identity in and as a Process, against and through Differences -- Chapter 3: Fundamental Fuzziness: The Imperfect Perfection -- Chapter 4: The Principle of Similarity. The Resultant of Identity and Difference -- Chapter 5: The Principle of Sharpening (I): Filtering, Cosmos out of Chaos - Aspects and Elements of Musical Materials -- Chapter 6: The Principle of Sharpening (II): Crystallization. Development and Advancement of Musical Shapes -- Chapter 7: The Principle of Blurring. Conscious, Artistically Produced Blurrings.
520 3 _aThis book unfolds the manifold, complex and intertwined relations between Fuzzy Logic and music in a first comprehensive overview on this topic: systematically as an outline, as completely as possible, in the aspects of Fuzzy Logic in this relation, and especially in music as a process with three main phases, five anthropological layers, and thirteen forms of existence of the art work (Classics, Jazz, Pop, Folklore). Being concerned with the ontological, gnoseological, psychological, and (music-) aesthetical status and the relative importance of different phenomena of relationship between music and Fuzzy Logic, the explication follows the four main principles (with five phenotypes) of Fuzzy Logic with respect to music: similarity, sharpening 1 as filtering, sharpening 2 as crystallization, blurring, and variation. The book reports on years of author's research on topics that have been only little explored so far in the area of Music and Fuzzy Logic. It merges concepts of music analysis with fuzzy logical modes of thinking, in a unique way that is expected to attract both specialists of music and specialists of Fuzzy Logic, and also non-specialists in both fields. The book introduces the concept of dialectic between sharpening and - conscious - "blurring". In turn, some important aspects of this dialectic are discussed, placing them in an historical dimension, and ending in the postulation of a 'musical turn' in the sciences, with some important reflections concerning a "Philosophy of Fuzzy Logic". Moreover, a production-oriented thinking is borrowed from fuzzy logic to musicology in this book, opening new perspectives in music, and possibly also in other artistic fields.
988 _aSpringer_Robotics_2021
650 7 _2embne
_aLógica difusa
_9152594
650 7 _2embne
_aMúsica
_9138603
776 0 8 _iPrinted edition:
_z9783662629055
776 0 8 _iPrinted edition:
_z9783662629062
856 4 0 _uhttps://go.openathens.net/redirector/universidadeuropea.es?url=https://doi.org/10.1007/978-3-662-62907-9
_zAcceso a este recurso digital (usuarios Universidad Europea de Madrid)
942 _2lcc
_cLE
_n0
998 _b03/2021
_dz
_eIG
_zSI