000			03697nam a22004095i 4500
999			_c329756 _d329756 _x1
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005			20230102114439.0
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007			cr nn 008mamaa
008			210109s2020 au | s |||| 0|eng d
020			_a9783709148914
024	7		_a10.1007/978-3-7091-4891-4 _2doi
040			_aES-MaUEC _bspa _cES-MaUEC _dES-MaUEC
050		4	_aTK5986 _b2020 EB
100	1		_aPfanzagl-Cardone, Edwin _eautor _4aut _4http://id.loc.gov/vocabulary/relators/aut _9677136
245	1	4	_aThe Art and Science of Surround and Stereo Recording : _bIncluding 3D Audio Techniques _cby Edwin Pfanzagl-Cardone
250			_aFirst edition 2020
264		1	_aVienna _bSpringer Vienna _bImprint: Springer _c2020
300			_a1 recurso en línea (XXIV, 412 páginas) _b346 ilustraciones, 135 ilustraciones a color
336			_2rdacontent _aTexto _btxt
337			_2rdamedia _aelectrónico _bc
338			_2rdacarrier _arecurso electrónico _bcr
347			_aarchivo de texto _bPDF
490	0		_aEngineering (SpringerNature-11647)
490	0		_aEngineering (R0) (SpringerNature-43712)
505	0		_aSpatial Hearing -- Correlation und Coherence -- Stereo microphone techniques -- Surround microphone techniques -- Artificial head recordings -- Some thoughts on subjective listening tests -- An attempt at a qualitative ranking of several surround-microphones -- an examination of various studies in the field -- Analysis of frequency dependent correlation and coherence in surround microphone systems -- Analysis of frequency dependent correlation in stereo-microphone systems -- BQIrep -- proposal of a ,Binaural Quality Index' for reproduced music -- Case studies of surround and stereo-recordings. - Short history of microphone techniques including DECCA, RCA and COLUMBIA.
520	3		_aThis book presents an extensive and timely survey of more than 30 surround and 20 stereo-microphone techniques. Further, it offers, for the first time, an explanation of why the RCA "Living Stereo" series of legacy recordings from the 1950s and 60s is still appreciated by music lovers worldwide, despite their use of an apparently incorrect recording technique from the perspective of psychoacoustics. Discussing this aspect in detail, the book draws on the author's study of concert hall acoustics and psychoacoustics. The book also analyzes the "fingerprint" features of a selected number of surround and - more importantly - stereo microphone techniques in depth by measuring their signal cross-correlation over frequency and also using an artificial human head. In addition, the book presents a rating of microphone techniques based on the assessment of various acoustic attributes, and merges the results of several subjective listening tests, including those conducted by other researchers. Building on this knowledge, it provides fresh insights into important microphone system features, from stereo to 3D audio. Moreover, it describes new microphone techniques, such as AB-PC, ORTF-T and BPT, and the recently defined BQIrep (Binaural Quality Index of reproduced music). Lastly, the book concludes with a short history of microphone techniques and case studies of live and studio recordings.
988			_aSpringer_Engineering_2020
650		7	_2embne _aMicrófonos _9141718
773	0		_tSpringer Nature eBook
776	0	8	_iPrinted edition: _z9783709148891
776	0	8	_iPrinted edition: _z9783709148907
856	4	0	_uhttps://go.openathens.net/redirector/universidadeuropea.es?url=https://doi.org/10.1007/978-3-7091-4891-4 _zAcceso a este recurso digital (usuarios Universidad Europea de Madrid)
942			_2lcc _cLE
998			_dz _b01/2021 _ea _zSI