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005			20230102114409.0
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007			cr nn nnnaamaa
008			201020s2020 gw | o |||| 0|eng d
020			_a9783030516413
024	7		_a10.1007/978-3-030-51641-3 _2doi
040			_aES-MaUEC _bspa _cES-MaUEC _dES-MaUEC
050		4	_aN71 _b2020 EB
100	1		_aLindauer, Martin S. _eautor _4aut _4http://id.loc.gov/vocabulary/relators/aut _9676923
245	1	0	_aMass-Produced Original Paintings, the Psychology of Art, and an Everyday Aesthetics _cby Martin S. Lindauer
250			_aFirst edition 2020
264		1	_aCham _bSpringer International Publishing _c2020
300			_a1 recurso en línea (XI, 163 páginas) _b5 ilustraciones a color
336			_2rdacontent _aTexto _btxt
337			_2rdamedia _aelectrónico _bc
338			_2rdacarrier _arecurso electrónico _bcr
347			_aarchivo de texto _bPDF
490	0		_aBehavioral Science and Psychology (SpringerNature-41168)
490	0		_aBehavioral Science and Psychology (R0) (SpringerNature-43718)
505	0		_aPart I. Introduction -- Chapter 1. What This Book Is About -- Chapter 2. The Characteristics of Mass-Produced Paintings -- Part II. Critical Issues -- Chapter 3. Are Mass-Produced Original Paintings Art? -- Chapter 4. Criticisms of Mass-Produced Original Paintings -- Chapter 5. In Defense of Mass-Produced Original Paintings -- Part III. The Larger Contexts for Mass-Produced Original Paintings: The Popular Arts and Evolution -- Chapter 6. The Popular Arts -- Chapter 7. Historical and Contemporary Approaches to the Popular Arts -- Chapter 8. Evolutionary Roots -- Part IV. Studies of Mass-Produced Original Paintings -- Chapter 9. An Overview of the Studies -- Chapter 10. The Findings -- Chapter 11. Explanations -- Part V. Mass-Produced Original Paintings, the Psychology of Art, and An Everyday Aesthetics -- Chapter 12. The Psychology of Art: A Research Perspective -- Chapter 13. Mass-Produced Original Paintings and An Everyday Aesthetics -- Chapter 14. Conclusions.
520			_aThis book examines the contribution of mass-produced original painting to the psychology of art, psychological aesthetics, and art criticism. Mass-produced paintings are an inexpensive, accessible, ubiquitous, and hand-painted popular art by anonymous artists or teams. Sold in an array of outlets, ranging from flea markets to shopping centers to cruise ships, they decorate hotels, offices, and homes. Addressed is their neglect in current scholarship in favor of a nearly exclusive investigation of the high arts and their audiences, as represented by museum paintings. Lindauer contextualizes his analysis by tracing the historical origins of this type of painting, popular art in general, and their evolutionary trajectory, exploring issues including: the impact of art and artists' creativity on viewers; the overemphasis on originality and name recognition; what is art and who can be called an artist; and the extension of aesthetics to include an everyday kind. The book concludes with directions for future research in the popular and traditional arts, the psychology of art, and, more broadly, the ties that transcend barriers between science, the arts, and the humanities. It will appeal to students and scholars from across the fields of psychology, sociology, philosophy, art history, and cultural, media and communication studies. Martin S. Lindauer is Professor Emeritus of Psychology at the State University of New York, College at Brockport, USA, and the author of several books and many articles related to the psychology of art. He received a Teaching Award from the State University of New York, was a Postdoctoral Fellow at the National Institute of Health, University of Michigan, USA, and a Fulbright Scholar in Berlin.
988			_aSpringer_Psychology_2020
650		7	_2embne _aPsicología del arte _9168565
650		7	_2embne _aEstética _9406959
710	2		_aSpringerLink
856	4	0	_uhttps://go.openathens.net/redirector/universidadeuropea.es?url=https://doi.org/10.1007/978-3-030-51641-3 _zAcceso a este recurso digital (usuarios Universidad Europea de Madrid)
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998			_dz _b01/2021 _eb _zSI