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020 _a9781859463680
020 _a1859463681
035 _aSirsi) i9781859463680
040 _aStDuBDS.
_beng.
_cStDuBDS
_dES-MaUEC
050 4 _aNA997.M36
_bB75 2011
080 _a72
080 _a7.036
080 _a929
100 1 _aBrittain-Catlin, Timothy
_0Local
_956945
245 1 0 _aLeonard Manasseh & Partners
_cby Timothy Brittain-Catlin
260 _aSwindon
_bEnglish Heritage
_ccop. 2011
300 _a12, 161 páginas
_bilustraciones
_c24 cm
336 _aTexto (visual)
_btxt
_2rdacontent
337 _asin mediación
_bn
_2rdamedia
338 _avolumen
_bnc
_2rdacarrier
490 0 _aTwentieth century architects
500 _aÍndices
504 _apáginas 155-156
520 _aDescriptionLeonard Manasseh was an $1 (Barchitect$1 (Bs architect$1 (B, greatly admired by his contemporaries both on a personal and professional level. He came to prominence at the Festival of Britain and went on to be one of the leading British architects of the 1960s, designing private houses and offices as well as major public commissions. Timothy Brittain-Catlin, architect and architectural historian at the University of Kent, describes how the work of Leonard Manasseh and Partners expresses one of the central themes of the 1950s and 1960s $1 (B the apparent conflict between the architect as creative artist on one hand, and as rational technologist and scientist on the other. Leonard Manasseh and his partner Ian Baker were lauded for producing modernist designs that were in keeping with their historical settings or landscapes. Examples include industrial buildings in rural settings, a study for King$1 (Bs Lynn, undertaken with architect-planner Elizabeth Chesterton, and the project that is most commonly associated with the practice, the National Motor Museum at Beaulieu
600 1 4 _aManasseh, Leonard
_vBiografías
_956946
_0LocalH
650 7 _aArquitectos
_zGran Bretaña
_vBiografías
_9142524
_2embne
901 _ai9781859463680
907 _a.b10216480
_b10-11-17
_c05-01-12
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