| 000 | 02876naa a2200325 c 4500 | ||
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| 999 |
_c121433 _d121433 _x1 |
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| 001 | 121433 | ||
| 003 | ES-MaUEC | ||
| 005 | 20230307040217.0 | ||
| 006 | a||||fo|||| 001 0 | ||
| 007 | cr cn |||||man | ||
| 008 | 200728t2017 -us||||fo|||| 00| 0 eng d | ||
| 020 | _a9780262338240 | ||
| 040 |
_bspa _cES-MaUEC _dES-MaUEC |
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| 050 | 4 |
_aN72.T4 _b2017 EB |
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| 100 |
_aKris Paulsen _9675238 _eautor |
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| 245 | 1 | 0 |
_aHere/There : _bTelepresence, Touch, and Art at the Interface _cKris Paulsen |
| 264 | 1 |
_aCambridge, Massachusetts _bMIT Press _c2017 |
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| 300 | _a1 recurso en línea | ||
| 336 |
_2rdacontent _aTexto _btxt |
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| 337 |
_2rdamedia _aelectrónico _bc |
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| 338 |
_2rdacarrier _arecurso electrónico _bcr |
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| 490 | 0 | 0 | _aLeonardo |
| 520 | 3 | _8An examination of telepresence technologies through the lens of contemporary artistic experiments, from early video art through current "drone vision" works.'Telepresence" allows us to feel present-through vision, hearing, and even touch-at a remote location by means of real-time communication technology. Networked devices such as video cameras and telerobots extend our corporeal agency into distant spaces. In Here/There, Kris Paulsen examines telepresence technologies through the lens of contemporary artistic experiments, from early video art through current "drone vision" works. Paulsen traces an arc of increasing interactivity, as video screens became spaces for communication and physical, tactile intervention. She explores the work of artists who took up these technological tools and questioned the aesthetic, social, and ethical stakes of media that allow us to manipulate and affect far-off environments and other people-to touch, metaphorically and literally, those who cannot touch us back.Paulsen examines 1970s video artworks by Vito Acconci and Joan Jonas, live satellite performance projects by Kit Galloway and Sherrie Rabinowitz, and CCTV installations by Chris Burden. These early works, she argues, can help us make sense of the expansion of our senses by technologies that privilege real time over real space and model strategies for engagement and interaction with mediated others. They establish a political, aesthetic, and technological history for later works using cable TV infrastructures and the World Wide Web, including telerobotic works by Ken Goldberg and Wafaa Bilal and artworks about military drones by Trevor Paglen, Omar Fast, Hito Steyerl, and others. These works become a meeting place for here and there. | |
| 650 | 7 |
_2embne _aArte y tecnología _9144821 |
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| 650 | 7 |
_2embne _9151179 _aVideoarte |
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| 650 | 7 |
_2embne _9149935 _aRealidad virtual |
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| 856 | 4 | 0 |
_uhttps://search.ebscohost.com//login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1475875 _zAcceso a este recurso digital (usuarios Universidad Europea de Madrid) |
| 942 |
_2lcc _cLE |
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| 998 |
_b07/2020 _dz _ea _zSI |
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