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020 _a9781137598295
024 7 _a10.1057/978-1-137-59829-5
_2doi
040 _bspa
_dES-MaUEC
_cES-MaUEC
050 4 _aQ223
_b2019 EB
100 1 _aBijsterveld, Karin.
_eautor
_4aut
_4http://id.loc.gov/vocabulary/relators/aut
245 1 0 _aSonic Skills :
_bListening for Knowledge in Science, Medicine and Engineering (1920s-Present)
_cby Karin Bijsterveld.
264 1 _aLondon
_bPalgrave Macmillan UK :
_bImprint: Palgrave Macmillan
_c2019.
300 _a1 recurso en línea (IX, 174 páginas)
336 _2rdacontent
_aTexto
_btxt
337 _2rdamedia
_aelectrónico
_bc
338 _2rdacarrier
_arecurso electrónico
_bcr
347 _atext file
_bPDF
490 0 _aEngineering (Springer-11647)
505 0 _aAcknowledgements -- 1. Listening for Knowledge: Introduction -- 2. Sonic Signs: Turning to, Talking about and Transcribing Sound -- 3. Modes of Listening: Why, How and to What? -- 4. Resounding Contestation: The Ambiguous Status of Sonic Skills -- 5. Popping Up: The Continual Return of Sound and Listening -- 6. Ensembles of Sonic Skills: Conclusions -- References.
506 0 _aOpen Access
520 3 _aIt is common for us today to associate the practice of science primarily with the act of seeing-with staring at computer screens, analyzing graphs, and presenting images. We may notice that physicians use stethoscopes to listen for disease, that biologists tune into sound recordings to understand birds, or that engineers have created Geiger tellers warning us for radiation through sound. But in the sciences overall, we think, seeing is believing. This open access book explains why, indeed, listening for knowledge plays an ambiguous, if fascinating, role in the sciences. For what purposes have scientists, engineers and physicians listened to the objects of their interest? How did they listen exactly? And why has listening often been contested as a legitimate form of access to scientific knowledge? This concise monograph combines historical and ethnographic evidence about the practices of listening on shop floors, in laboratories, field stations, hospitals, and conference halls, between the 1920s and today. It shows how scientists have used sonic skills-skills required for making, recording, storing, retrieving, and listening to sound-in ensembles: sets of instruments and techniques for particular situations of knowledge making. Yet rather than pleading for the emancipation of hearing at the expense of seeing, this essay investigates when, how, and under which conditions the ear has contributed to science dynamics, either in tandem with or without the eye. Karin Bijsterveld is historian and professor of Science, Technology and Modern Culture at Maastricht University, The Netherlands.
650 7 _2embne
_aInformación científica y técnica
_9158456
650 7 _2embne
_aComunicación en medicina
_9154635
650 7 _2embne
_9670869
_aEscucha (Psicología)
776 0 8 _iPrinted edition:
_z9781137598318
776 0 8 _iPrinted edition:
_z9781349959204
776 0 8 _iPrinted edition:
_z9781349997114
856 4 0 _uhttps://go.openathens.net/redirector/universidadeuropea.es?url=https://doi.org/10.1057/978-1-137-59829-5
_zAcceso a este recurso digital (usuarios Universidad Europea de Madrid)
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988 _aPrimersemestre_2019_Engineering
998 _aSI
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