000			02996nam a22003855i 4500
999			_c103897 _d103897 _x1
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005			20230102113150.0
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007			cr nn 008mamaa
008			150226s2015 ja | s |||| 0|eng d
020			_a9784431554233
024	7		_a10.1007/978-4-431-55423-3 _2doi
040			_bspa _dES-MaUEC
050		4	_aQC225.15 _b2015 EB
100	1		_aAndo, Yoichi _eautor _4aut _4http://id.loc.gov/vocabulary/relators/aut _0http://id.loc.gov/authorities/names/no2015075536 _1http://viaf.org/viaf/71548742/ _9100443
245	1	0	_aOpera House Acoustics Based on Subjective Preference Theory _cby Yoichi Ando.
264		1	_aTokyo _bSpringer International Publishing _c2015
300			_a1 recurso en línea (XIV, 179 páginas 130 ilustraciones, 8 ilustraciones a color.)
336			_2rdacontent _aTexto (visual) _btxt
337			_2rdamedia _aelectrónico _bc
338			_2rdacarrier _arecurso electrónico _bcr
490	0		_aMathematics for Industry, _x2198-350X ; _v12
490	0		_aEngineering (Springer-11647)
505	0		_aIntroduction -- Analyses of Temporal Factors of a Source Signal -- Formulations and Simulation of the Sound Field -- Model of Auditory-Brain System -- Temporal- and Spatial-Primary Percepts of the Sound and the Sound Field -- Theory of Subjective Preference for the Sound Field -- Examination of Subjective Preference Theory in an Existing Opera House -- Reverberance of the Sound Field -- Improvements of Subjective Prefences for Listeners and Performers -- Optimizing Room-Form -- Visual Temporal Sensations on the Stage Blending with Opera and Music -- Design Theory of Opera House Stage Persisting Individual Creations -- Appendix Appendix Comparison between Measured Orthogonal Factors Using a Dummy Head and Four Human-Real Heads.
520	3		_aThis book focuses on opera house acoustics based on subjective preference theory; it targets researchers in acoustics and vision who are working in physics, psychology, and brain physiology. This book helps readers to understand any subjective attributes in relation to objective parameters based on the powerful and workable model of the auditory system. It is reconfirmed here that the well-known Helmholtz theory, which was based on a peripheral model of the auditory system, may not well describe pitch, timbre, and duration as well as the spatial sensations described in this book, nor overall responses such as subjective preference of sound fields and the annoyance of environmental noise.
988			_aEBSPRINGER_2018
650		7	_2embne _aAcústica _9138038
776	0	8	_iEdición impresa: _z9784431554240
776	0	8	_iEdición impresa: _z9784431554226
776	0	8	_iEdición impresa: _z9784431564171
856	4	0	_uhttps://go.openathens.net/redirector/universidadeuropea.es?url=https://doi.org/10.1007/978-4-431-55423-3 _zAcceso a este recurso digital (usuarios Universidad Europea de Madrid)
942			_2lcc _cLE
998			_b05/2019 _dz _ejf _zSI