000			03563nam a22003855i 4500
999			_c103788 _d103788 _x1
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003			DE-He213
005			20230102113146.0
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007			cr nn 008mamaa
008			150309s2015 gw | s |||| 0|eng d
020			_a9783319140179
024	7		_a10.1007/978-3-319-14017-9 _2doi
040			_bspa _dES-MaUEC
050		4	_aNK1520 _b2015 EB
100	1		_aChan, Chiu-Shui. _eautor. _4aut _4http://id.loc.gov/vocabulary/relators/aut _1http://viaf.org/viaf/138484191/
245	1	0	_aStyle and Creativity in Design _cby Chiu-Shui Chan.
264		1	_aCham _bSpringer International Publishing _c2015
300			_a1 recurso en línea (XIV, 331 páginas 122 ilustraciones, 64 ilustraciones a color.)
336			_2rdacontent _aTexto (visual) _btxt
337			_2rdamedia _aelectrónico _bc
338			_2rdacarrier _arecurso electrónico _bcr
490	0		_aStudies in Applied Philosophy, Epistemology and Rational Ethics, _x2192-6255 ; _v17
490	0		_aEngineering (Springer-11647)
505	0		_a1 Introduction -- Part I Conceptual Framework -- 2 Introduction of Design Cognition -- Part II Style -- 3 Development of Studies in Style -- 4 Style as Identities in Design Products -- 5 Style Approached from the Design Process -- 6 Creation of Style in the Design Process -- Part III Creativity -- 7 Development of Studies in Creativity -- Part IV Style and Creativity -- 8 Creative Processes and Style -- 9 Cognitive Theory of Style and Creativity -- Name Index -- Subject Index.
520	3		_aThis book looks at causative reasons behind creative acts and stylistic expressions. It explores how creativity is initiated by design cognition and explains relationships between style and creativity. The book establishes a new cognitive theory of style and creativity in design and provides designers with insights into their own cognitive processes and styles of thinking, supporting a better understanding of the qualities present in their own design.  An explanation of the nature of design cognition begins this work, with a look at how design knowledge is formulated, developed, structured and utilized, and how this utilization triggers style and creativity. The author goes on to review historical studies of style, considering a series of psychological experiments relating to the operational definition, degree, measurement, and creation of style. The work conceptually summarizes the recognition of individual style in products, as well as the creation of such styles as a process before reviewing studies on creativity from various disciplines, presenting case studies and reviewing works by master architects.   Readers will discover how creativity is initiated by design cognition. A summary of the correlations between creativity and style, expressed as a conceptual formula describing the cognitive phenomenon of style and creativity concludes the work. The ideas presented here are applicable to all design fields, allowing designers to comprehend and improve their design processes to produce creative, stylistically unique products.
988			_aEBSPRINGER_2018
650		7	_9138193 _aDecoración interior
776	0	8	_iEdición impresa: _z9783319140186
776	0	8	_iEdición impresa: _z9783319140162
776	0	8	_iEdición impresa: _z9783319383798
856	4	0	_uhttps://go.openathens.net/redirector/universidadeuropea.es?url=https://doi.org/10.1007/978-3-319-14017-9 _zAcceso a este recurso digital (usuarios Universidad Europea de Madrid)
942			_2lcc _cLE
998			_b03/2019 _dz _eIG _zSI