000			03677nam a22003735i 4500
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007			cr nn 008mamaa
008			150529s2015 gw | s |||| 0|eng d
020			_a9783319164748
024	7		_a10.1007/978-3-319-16474-8 _2doi
040			_bspa _dES-MaUEC _cES-MaUEC
050		4	_aNK2110 _b.S855 2015 EB
100	1		_aSully, Anthony. _eautor. _4aut _4http://id.loc.gov/vocabulary/relators/aut _0http://id.loc.gov/authorities/names/no2012090820 _1http://viaf.org/viaf/67844771/ _1http://dbpedia.org/resource/Anthony_Sullivan_(pitchman) _9670411
245	1	0	_aInterior Design: Conceptual Basis _cby Anthony Sully.
264		1	_aCham _bSpringer International Publishing _c2015
300			_a1 recurso en línea (XXVII, 240 páginas 294 ilustraciones, 238 ilustraciones a color.)
336			_2rdacontent _aTexto (visual) _btxt
337			_2rdamedia _aelectrónico _bc
338			_2rdacarrier _arecurso electrónico _bcr
490	0		_aEngineering (Springer-11647)
505	0		_aPlanning Concept -- Circulation Concept -- Three Dimensional Concept -- Construction Concept -- Material Concept -- Colour Concept -- Lighting Concept.
520	3		_aMaximizing reader insights into interior design as a conceptual way of thinking, which is about ideas and how they are formulated. The major themes of this book are the seven concepts of planning, circulation, 3D, construction, materials, colour and lighting, which covers the entire spectrum of a designer's activity. Analysing design concepts from the view of the range of possibilities that the designer can examine and eventually decide by choice and conclusive belief the appropriate course of action to take in forming that particular concept, the formation and implementation of these concepts is taken in this book to aid the designer in his/her professional task of completing a design proposal to the client. The purpose of this book is to prepare designers to focus on each concept independently as much as possible, whilst acknowledging relative connections without unwarranted influences unfairly dictating a conceptual bias, and is about that part of the design process called conceptual analysis. It is assumed that the site, location, building and orientation, as well as the client's brief of activities and needs have been digested and analysed to provide the data upon which the design process can begin. Designed as a highly visual illustrative book, as the interior design medium demands, the hands-on creative process of designing is detailed with original drawn illustrations. Concentrating on the conceptual process of designing interiors, and defining what these concepts are, this book will help the designer to organise his/her process of designing and to sharpen the links between the various skill bases necessary to do the job. This book will be stimulating for students and instructors alike and is aimed at any student who maybe majoring in interior design, interior architecture, architecture, design thinking or furniture design. It could also be a useful reference for students of design management and design leadership.
988			_aEBSPRINGER_2018
650		7	_9138193 _aDecoración interior _2embne
776	0	8	_iEdición impresa: _z9783319164755
776	0	8	_iEdición impresa: _z9783319164731
776	0	8	_iEdición impresa: _z9783319368290
856	4	0	_uhttps://go.openathens.net/redirector/universidadeuropea.es?url=https://doi.org/10.1007/978-3-319-16474-8 _zAcceso a este recurso digital (usuarios Universidad Europea de Madrid)
942			_2lcc _cLE
998			_b03/2019 _dz _eIG _zSI