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2001 : a Space Odyssey and Lacanian Psychoanalytic Theory / by Daniel Bristow

By: Bristow, Daniel, autor
Material type: materialTypeLabelE-bookSeries: (The Palgrave Lacan Series).Publisher: Cham : Springer International Publishing, 2017Edition: 1st edition 2017.Description: 1 recurso en línea (X, 132 páginas) : 25 ilustraciones, 4 ilustraciones a color.ISBN: 9783319694443.Subject: Psicoanálisis y cineOnline resources: Acceso a este recurso digital (usuarios Universidad Europea de Madrid)Digital Resources
Contents:
1. Overture -- 2. Monolith -- 3. Cut -- 4. Space -- 5. Silence -- 6. Surreality.
In: Springer Nature eBookSummary: In 1968, Stanley Kubrick completed and released his magnum opus motion picture 2001: A Space Odyssey; a time that was also tremendously important in the formation of the psychoanalytic theory of Jacques Lacan. Bringing these figures together, Bristow offers a study that goes beyond, as the film did. He extends Lacan's late topological insights, delves into conceptualisations of desire, in G. W. F. Hegel, Alexandre Kojève, and Lacan himself, and deals with the major themes of cuts (filmic and psychoanalytic); space; silence; surreality; and 'das Ding', in relation to the movie's enigmatic monolith. This book is a tour de force of psychoanalytic theory and space odyssey that will appeal to academics and practitioners of psychoanalysis and film studies, as well as to any fan of Kubrick's work.
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Holdings
Item type Current library Collection Call number Status Date due Barcode Item holds
LIBRO-E NO PRÉSTAMO LIBRO-E NO PRÉSTAMO Madrid Digital Acceso Electrónico (UEM) Biblioteca CRAI (Literatura, ensayo y audiovisuales) PN1995.9.P783 2017 EB (Browse shelf(Opens below)) Acceso electrónico eBook.11102118
Total holds: 0

1. Overture -- 2. Monolith -- 3. Cut -- 4. Space -- 5. Silence -- 6. Surreality.

In 1968, Stanley Kubrick completed and released his magnum opus motion picture 2001: A Space Odyssey; a time that was also tremendously important in the formation of the psychoanalytic theory of Jacques Lacan. Bringing these figures together, Bristow offers a study that goes beyond, as the film did. He extends Lacan's late topological insights, delves into conceptualisations of desire, in G. W. F. Hegel, Alexandre Kojève, and Lacan himself, and deals with the major themes of cuts (filmic and psychoanalytic); space; silence; surreality; and 'das Ding', in relation to the movie's enigmatic monolith. This book is a tour de force of psychoanalytic theory and space odyssey that will appeal to academics and practitioners of psychoanalysis and film studies, as well as to any fan of Kubrick's work.

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