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Psychology and Philosophy of Abstract Art : Neuro-aesthetics, Perception and Comprehension / by Paul M.W. Hackett

By: Hackett, Paul M. W., autor
Material type: materialTypeLabelE-bookPublisher: London : Springer International Publishing, 2016Edition: First edition 2016.Description: 1 recurso en línea (XXIII, 140 páginas) : ilustraciones.ISBN: 9781137483324.Subject: Arte abstracto | Psicología del arteOnline resources: Acceso a este recurso digital (usuarios Universidad Europea de Madrid)Digital Resources
Contents:
Preface -- Chapter 1. Defining Two-Dimensional Abstract Art -- Chapter 2. Theorising Perception -- Chapter 3. Expanding Theoretical Complexity -- Chapter 4. Perceptual Content, Process and Categorial Ontologies -- Chapter 5. Mapping Sentence and Partial Order Mereology for Perceiving Abstract Art.
Summary: This book examines how we perceive and understand abstract art in contrast to artworks that represent reality. Philosophical, psychological and neuroscience research, including the work of philosopher Paul Crowther, are considered and out of these approaches a complex model is developed to account for this experience. The understanding embodied in this model is rooted in facet theory, mapping sentences and partially ordered analyses, which together provide a comprehensive understanding of the perceptual experience of abstract art.
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Holdings
Item type Current library Collection Call number Status Date due Barcode Item holds
LIBRO-E NO PRÉSTAMO LIBRO-E NO PRÉSTAMO Madrid Digital Acceso Electrónico (UEM) Ciencias e Ingeniería N6494.A2 2016 EB (Browse shelf(Opens below)) Acceso electrónico eBook.29042126
Total holds: 0

Preface -- Chapter 1. Defining Two-Dimensional Abstract Art -- Chapter 2. Theorising Perception -- Chapter 3. Expanding Theoretical Complexity -- Chapter 4. Perceptual Content, Process and Categorial Ontologies -- Chapter 5. Mapping Sentence and Partial Order Mereology for Perceiving Abstract Art.

This book examines how we perceive and understand abstract art in contrast to artworks that represent reality. Philosophical, psychological and neuroscience research, including the work of philosopher Paul Crowther, are considered and out of these approaches a complex model is developed to account for this experience. The understanding embodied in this model is rooted in facet theory, mapping sentences and partially ordered analyses, which together provide a comprehensive understanding of the perceptual experience of abstract art.

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