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Blossoms and blood : postmodern media culture and the films of Paul Thomas Anderson / Jason Sperb

By: Sperb, Jason, (1978-)
Material type: materialTypeLabelE-bookPublisher: Austin : University of Texas Press , 2013Description: 1 recurso en línea.ISBN: 9780292752894; 9780292752917.Subject: Anderson, Paul Thomas 1970- -- Crítica e interpretaciónOnline resources: Acceso a este recurso digital (usuarios Universidad Europea de Madrid)Digital Resources
Contents:
Machine generated contents note: Acknowledgments -- Introduction. White-Noise Media Culture and the Films of Paul Thomas Anderson -- Chapter 1. I Remembered Your Face: Indie Cinema, Neo-noir, and -- Narrative Ambiguity in Hard Eight (1996) -- Chapter 2. I Dreamed I Was in a Hollywood Movie: Stars, Hyperreal Sounds of the 1970s, and Cinephiliac Pastiche in Boogie Nights (1997) -- Chapter 3. If That Was in a Movie, I Wouldn't Believe It: Melodramatic Ambivalence, Hypermasculinity, and the Autobiographical Impulse in Magnolia (1999) -- Chapter 4. The Art-House Adam Sandler Movie: Commodity Culture and the Ethereal Ephemerality of Punch-Drunk Love (2002) -- Chapter 5. I Have a Competition in Me: Political Allegory, Artistic Collaboration, and Narratives of Perfection in There Will Be Blood (2007) -- Afterword. On The Master -- Notes -- Select Bibliography -- Index
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Holdings
Item type Current library Collection Call number Status Date due Barcode Item holds
LIBRO-E NO PRÉSTAMO LIBRO-E NO PRÉSTAMO Madrid Digital Acceso Electrónico (UEM) Ciencias Sociales PN1998.3 .A52 S64 2013 EB (Browse shelf(Opens below)) Acceso electrónico eBOOK111788
Total holds: 0
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PN1995.9 .W6 C56 2013 EB Cine y género en España PN1995.9 .W6 Z43 2014 EB La pantalla sexuada PN1997.85 ES Adaptation PN1998.3 .A52 S64 2013 EB Blossoms and blood : postmodern media culture and the films of Paul Thomas Anderson PN1998.3 .A52 T86 2016 EB Paul Thomas Anderson PN1998.3.A53 2015 EB Theo Angelopoulos PN1998.3 .A94 D45 2014 EB Tex Avery

Bibliografía e índices

Machine generated contents note: Acknowledgments -- Introduction. White-Noise Media Culture and the Films of Paul Thomas Anderson -- Chapter 1. I Remembered Your Face: Indie Cinema, Neo-noir, and -- Narrative Ambiguity in Hard Eight (1996) -- Chapter 2. I Dreamed I Was in a Hollywood Movie: Stars, Hyperreal Sounds of the 1970s, and Cinephiliac Pastiche in Boogie Nights (1997) -- Chapter 3. If That Was in a Movie, I Wouldn't Believe It: Melodramatic Ambivalence, Hypermasculinity, and the Autobiographical Impulse in Magnolia (1999) -- Chapter 4. The Art-House Adam Sandler Movie: Commodity Culture and the Ethereal Ephemerality of Punch-Drunk Love (2002) -- Chapter 5. I Have a Competition in Me: Political Allegory, Artistic Collaboration, and Narratives of Perfection in There Will Be Blood (2007) -- Afterword. On The Master -- Notes -- Select Bibliography -- Index

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