Computational Aesthetics / by Yasuhiro Suzuki [y otros seis]
By: Suzuki, Yasuhiro., autor
Contributor(s): SpringerLink (Online service)
Series: (SpringerBriefs in Applied Sciences and Technology, 2191-530X); (Intelligent Technologies and Robotics (Springer-42732)).Publisher: Tokyo : Springer Japan : Imprint: Springer, 2019Description: 1 recurso en línea (IX, 85 páginas) : 52 ilustraciones,26 ilustraciones a color.ISBN: 9784431568445.Subject: Gráficos de ordenador
| Item type | Current library | Collection | Call number | Status | Date due | Barcode | Item holds | |
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LIBRO-E NO PRÉSTAMO
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Madrid Digital Acceso Electrónico (UEM) | Ciencias e Ingeniería | T385 2019 EB (Browse shelf(Opens below)) | Acceso electrónico | eBooks26062086 |
Browsing Madrid Digital shelves, Shelving location: Acceso Electrónico (UEM) Close shelf browser (Hides shelf browser)
| T385 2018 EB Virtual Material Acquisition and Representation for Computer Graphics | T385 2018 EB General-Purpose Graphics Processor Architectures | T385 2019 EB Mathematical Insights into Advanced Computer Graphics Techniques | T385 2019 EB Computational Aesthetics | T385 2021 EB Quaternions for Computer Graphics | T385 2021 EB Vector Analysis for Computer Graphics | T385 2021 EB Making Images with Mathematics |
Computational Aesthetics -- The Significance of Natural Computing for Considering Computational Aesthetics of Nature.-Herder on "Sentio, Ergo Sum": Seen from his Remarks on the Color Harpsichord -- A historical perspective on sound art and its relationship to tactile sense -- A Spectro-gestural-morphological Analysis of a Musical-tactile score -- Think of everything with back calculation - Computational aesthetics of hair design.
The essence of natural computing is aesthetics; for example, in cooking, one of the most common forms of natural computation, the decision to add salt, and how much, is based on the aesthetics of taste. Because touch perception is instinctively related to a sense of beauty, the aesthetics of tactile sense are considered as algorithms by using the Tactile Score, which encodes tactile sensation. This book will appeal not only to researchers of natural computing or aesthetics, but also those working in ergonomic design, haptic-Kansei engineering, philosophy, design and art.
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